The Singing Cow

If I was asked to identify the most important quality of a photograph it would be one I could not see.  The image itself means nothing if it lacks this one simple truth.  A quality only each of us can bring from within our hearts and souls.  Simply put, the photograph and I are able to form a connection.  Without a connection, ultimately I am left standing wooden and cold before it.  I can admire it's composition, use of light and subject matter.  However, unless a spark of wonder,  joy or recognition forms within me, the image will just pass on to the next. 

As the photographer it's easy to make a fairly good connection with an image, hell I took it, I should at least have some sort of paternal love for my creation... But that is not always the case. 

Some of the landscape images I take will never affect me in a way others do.  They are nice but, well, they just don't have that special sauce.  But all is not lost, these images can often provide connection for someone else.  A sale of an image is always an indicator of some level of connection. If I am lucky the customer might share with me their own connection; the special place they are taken too, a childhood memory, a loved family member's special spot and so on.  When this type of connection happens, it is likely to be even more satisfying, it's like the joy of giving, and you get to hitch a ride on their rollercoaster.

So I suppose I should include an image I connect with.  Connection can come from left field.  This image of cattle in fog was taken on the Taieri Plains in Mosgiel.  To me, when I look at that cow with his mouth open, I see Frank Sinatra in full swing.  In my late teens I fell in love with Sinatra music and would listen to it on my CD walkman player.  He became a music hero.  I remember clearly where I was the day Frank Sinatra died, and yes, boom, this picture takes me to a rainy night in Austria.  All that connection from a singing cow. 

 

DSCF0598-2.jpg

Trev Hill is a Dunedin Based Photographer 

 

Photographer at a crossroad

I am very lucky to have the rugged and beautiful landscape of Otago to photograph.  Not only is the local scenery stunning, but, I am also spoilt at times with glorious and colourful sunrises and sunsets.  There is something magical about being fully immersed in spectacular light as clouds and sky burst in a symphony of colour all around.  Sometimes, I feel like I should just put the camera down,  completely free myself of the task of taking images and just enjoy the show.  But, that is easier said than done. 

Fuji XT2, XF56mm 1.2 

Fuji XT2, XF56mm 1.2 

Recently I have been thinking more and more about what I want to get out of my images.  How I want them to affect me when I look at them.  While I love the colour of sunrises and sunsets, I have been becoming increasingly wary of pinks, oranges and reds in the sky.  These are images I believe work extremely well in a social media environment, but somehow fall short when printed. Popular photography platforms give us the opportunity to binge on stunning images, to wow and be wowed by each others work, carefully crafted and digitally developed images are consumed and then forgotten in seconds.  So I stopped posting images on 500px, it kind of just got pointless for me, and I don't miss it.  

Fuji XT2, XF14mm 2.8

Fuji XT2, XF14mm 2.8

So I came up with a plan.  Moving forward I want my images to focus on atmosphere. To celebrate the weather, whether that be rain, wind, fog, or snow.  I don't need my photography to sing with colour, perhaps it can be more earthy and grey.  From this colour palette I would like to tell stories.  

Fuji XT2, XF23mm F2

Fuji XT2, XF23mm F2

That is my plan, and I like it as it gives my photography purpose and direction.  I'm not sure if this is a path I will stay on, but for now it sits well with me.

Fuji XT2, XF 14mm 2.8

Fuji XT2, XF 14mm 2.8

All of the images I have shared in this blog were taken after I decided to move in this direction.  So far so good, and I look forward to what is to come.  It does make me wonder whether there are other photographers out there who have similar feelings.

Fuji XT2, XF 14mm 2.8 

Fuji XT2, XF 14mm 2.8 

Trev Hill is a photographer based in Dunedin, New Zealand.